What do you see in abstract art? There's no incorrect answer to what you should see. Use imagination. Make up your own story and be convinced with it. Your story is the subjective truth you live with. Ultimately, it's not only about abstract art, but also everything in life is about how you view things.
*** Born and raised in Japan, my aesthetics undeniably has a lot to do with having been there for decades as I grew up. Now I am based in Miami, Florida USA.
*** I specialize in abstract art because of its multiplicity and [
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What do you see in abstract art? There's no incorrect answer to what you should see. Use imagination. Make up your own story and be convinced with it. Your story is the subjective truth you live with. Ultimately, it's not only about abstract art, but also everything in life is about how you view things.
*** Born and raised in Japan, my aesthetics undeniably has a lot to do with having been there for decades as I grew up. Now I am based in Miami, Florida USA.
*** I specialize in abstract art because of its multiplicity and freedom in its interpretations. In fact I became a full-time artist after reading Søren Kierkegaard who wrote in a great deal about subjective truth.
*** Recently I stopped signing on the art because I want to allow freedom of hanging it in any orientation. My signature is found on the back of the artworks.
LINESCAPING: LineScaping is a series of original art works, created by lines. It features a minimalist abstraction with a distinctive style. I draw all lines freehand one by one, unlike some people may suspect it computer assisted.
COLLAGE: Mixed media Collage is also original abstract art, but this has a lot to do with experimentations, whereas LineScaping art requires rather constrained forms. In my Collage work, I crop natural and incidental occurrences of materials and elaborate the outcome as artworks, instead of controlling the whole operation.
EPOXY RESIN
Most of my artworks are varnished with EPOXY RESIN. I stared working with the material in 2006, and I became very good at coating artworks with it. Not only this coating eliminates the need to frame artworks, it also noticeably alters the appearance of artwork if handled in certain ways. This is not an easy material to work with, but the effect of resin is so dramatic that other artists constantly ask how I do it. I plan to launch a web site to instruct on how to use this material sometime in the future.
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